“Someone’s going to make a movie of it someday,
and it might as well be us.”
In 2004 two novice screenwriters were headed for Hollywood with a screenplay they had concocted based on Milton's Paradise Lost. Hollywood laughed and turned up its nose . . . until they met a producer who had been fascinated with the prospect of battling angels since childhood. Before long financing was generated and a director enlisted, and so it began.
More than three centuries after John Milton wrote Paradise Lost …
Over one century after Thomas Edison invented the moving picture …
These visionaries would be the first to dare to unite the two.
Or would they?
Decades earlier another seed had been brewing. As early as 1973 a screenplay for Paradise Lost had been published by a British author. He died in 1980 and the script lay dormant for decades. The producer who had partnered with him on the project, however, never let his option on the screenplay drop. And suddenly this year we get news that an independently produced film of Milton’s epic may be quietly on its way to production—while the other highly publicized project, a megabucks affair, after numerous public interviews and much speculation, lingers in pre-production limbo for a fifth year.
The horse race is on!
And here is the “Tote Board” (a horseracing term) for today:
| The "Horses" |
BLOCKBUSTER |
INDIE |
|
Production Company
|
Legendary Pictures
300, The Dark Knight, Superman Returns
and Warner Brothers
.
|
Granite Entertainment and STV Networks
Bollywood style films
|
|
Working Title
|
Paradise
|
Paradise Lost
|
|
Projected Budget
|
Upwards of $100,000,000
|
$30,000,000 - $35,000,000
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Creators
|
|
Producer
|
Vincent Newman
The Betrayed, Felon, Blind Horizon
|
Martin Poll
The Lion in Winter, Nighthawks, Love and Death
|
|
Co-Producers
|
Jon Jashni, Thomas Tull, Dennis Bakriges
Clash of the Titans, Where the Wild Things Are
|
Hank McCann, Bob Knotek, Jonas McCord
Ask the Dust, Steel Magnolias
|
|
Director
|
Scott Derrickson
The Day the Earth Stood Still, The Exorcism of Emily Rose
|
not announced
(Arthur Penn bowed out)
|
|
Screenwriters
|
Philip de Blasi & Byron Willinger; reworked by Stuart Hazeldine
(to make it more about warring angels,
less about Adam and Eve)
|
John Collier
collaborated on African Queen screenplay;
many short stories in The New Yorker
|
|
Cast
|
not announced
wish list for Satan had included Heath Ledger, Daniel Craig, Mickey Rourke
|
David Dunham as Adam, Patricia Li Bryan as Eve
both unknowns; seeking big name for Satan
|
|
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chronology
|
|
Origin
|
2004: the screenwriters begin
2004:
pitching their idea
|
1960's: Poll begins approaching
1960's:
studios, unsuccessfully
1973:'s
Collier's screenplay
1960's:
published in book form
|
|
Project Announced
|
2005
|
2009
|
|
Current Status
|
Pre-production
|
2009 filming begins
|
|
Projected Release
|
2011
|
2010
|
|
and by the way...
|
This one may be in 3D
|
War? - What war?
. . . more about this
|
Our 2 cents:
This horserace won’t necessarily be won by the horse that gets to the finish line first, though he may gain the advantage. “Blockbuster” may not be too concerned about “Indie’s” preemption, having the financial backing victory already in his pocket. For some, “winning” may mean big box office receipts; for others, it’s awards or critical acclaim (or the opposite). On the other hand, the stylistic or thematic approaches of these two films may be so different (as seems to be the case) as to put them not in competition at all.
Where does Milton come off in all this?—probably nowhere in sight. It doesn’t seem likely that film could ever capture the elemental nature of the poem, a work which is built upon rhetorical debate, theological philosophy, exorbitant simile, and is as much about the rhythm and syntax of its delivery as its subject.
That doesn’t mean it’s not possible to make a good, even great movie, inspired by the plot of Paradise Lost. The problem is, at this point, neither the resumés of the participants nor those painfully glib interviews inspire a lot of confidence for that outcome.
We wouldn’t mind being proved wrong.
Your 2 cents:
|
|